In lieu of him beating his own chest and standing on top of our house and proclaiming that he is indeed King Of The World, let me take this opportunity to pimp Fosse. A play he directed last year (The Laramie Project) has been nominated for Best Production (Fringe/Independent Theatre) in the 2005 Green Room Awards. For those who don’t live in Melbourne or frequent the independent theatre world, this is pretty big. Fosse is already a highly respected director within the world of amateur theatre and this is (fingers crossed) the start of some recognition outside of that – leading to paid directing work, bigger and better productions and parts for me.
And this is I think, especially exciting for Fosse, because one of the Patrons of the GRA is Rachel Griffiths* whom he swoons over. So massive props and a little raising of the roof for Fosse!
*Aside
Channel Nine? Hello? May I speak to Eddie Macguire? Thanks.(mmmmmmbopadipadabawhoobopadiddyyabammmmmmmbop**) Yellllllo, oh hey there Eds, how goes it? Condolences on Kerry’s death but congratulations on being given the head honcho possie at Nine, dude. Sweeeet. Yeah. So who is taking over Millionaire . . . really? Interesting choice, I mean I was available and all but . . . you didn’t get my CV? No, no, no, I understand completely, I mean you can’t be expected to read everything that crosses your desk, right? Nah man, s’cool. You want to make up for it? Okay. Um. Well, HOW ABOUT YOU AIR THE FINAL FUCKING SEASON OF ‘SIX FEET UNDER’ HUH, EDWARD? Just a small request, you know, when you have time. Anyway, congrats again on the new job. Best of love to the wife. Take care.
** I love it when hold music is cheesy nineties pop . . .
(My continuing post of my favourite authors is coming but the Stephen King one is currently a five page essay and needs to be culled. I mean, you don’t care about the ongoing themes of absent parental figures in his earlier works or the way his books lost their edge after the birth of his third child or his use of parentheses, right? Exactly. It comes.)
Friday, March 03, 2006
Monday, February 27, 2006
Smell THIS greasepaint
From an email conversation betwixt myself and Shaneequa about the incredibly unreliable people you can meet doing a play during which I let loose in a nasty but thoroughly deserved way . . . ( this is a play that I was asked to step into six rehearsals out from opening, its not a huge role, it is of middling size but six rehearsals - or just over a week - is still a BIG ask and I only agreed because I admire and love Fosse and desperately want him to cast me in something he directs at some point. Ahem. Sucking up portion of today's blog completed. Continue . . . )
Oh, and Fosse is not the director mentioned, he is acting in the play . . .
Email : DUDE. Do NOT even get me started. Woh, too late . . . at the tech run for (current play Tallulah is in), people actually thought they would be able to leave at FIVE o'clock because that's when they normally finish rehearsals on a Sunday. Members of the cast had made other plans. WTF??!! Apparently none of them have ever done any theatre before, ever. EVER.* And the director was all ready to let them leave (and please bear in mind that at this point, ONE rehearsal before we opened, I still hadn't done a full run-through of the play. There were still scenes that I hadn't done at all. We had Monday rehearsal left and that was it, audience in on Tuesday, thanks very much).
It was only the fact that one of the committee members was there and could hear Fosse and myself rolling our eyes in disbelief and clucking our tongues for all we were worth - and basically losing our shit - that he stepped in and overruled the director and said I'm sorry but you shouldn't have made plans on a day when you're doing a tech and dress rehearsal, you have to stay, cancel your plans (causing one of the girls to burst into tears and the others to bitch furiously in the dressing room at the director, the committee and us for having the temerity to want to do a FULL FREAKING RUN two days before we open, I mean can you believe the rudeness of wanting a full run, its crazy talk!!)
If we hadn't done that I'd have had one full run. One. I was freaking out that they were all going to leave and we'd have only half the cast for the dress rehearsal.
And the bitching, oy the bitching.
And the bint who came and talked to us who Fosse can't stand? - she threw a massive hissy fit because the company wouldn't organise a BABYSITTER for her. She wanted to bring her son to each performance and have someone look after him and the company said I don't freaking think so lady**. And she threatened to walk out. Gah.
The director was apparently thinking of getting her to play the character I'm doing and Fosse nearly died and I think it was at that point that he threw my name into the mix "she's not the right age but at least she can act . . . " And bint is another 'professional actor' and she's fucking useless on stage. Training RUINS some people. She's also the kind who constantly says "well, I've done professional theatre and I've never known a tech run to run so overtime" to which I responded "well, I've been doing amateur theatre for over ten years and this is what its like when people WHO DON'T DO IT FOR A LIVING AND ARE UNPAID VOLUNTEERS GIVING UP THEIR OWN LIVES TO PUT ON A SHOW muddle their way through things, and yeah, sometimes it takes a lot longer than you think it will, I've know tech runs to still be going at midnight princess.***"
End Email
So I say kudo's to Shaneequa for resisting the urge to smack people upside the head at her own recent tech/dress run. Tech runs are THE BEST!! 'Cause yeah its 'just' amateur theatre and people have lives outside their current production, but if you agree to take the part, then you agree to a certain amount of time waste-age. And seriously. No director I have ever known (and this includes you Shaneequa) has ever been able to stick to a timetable for a tech run - they're extremely complicated and frustrating things. So actors? When you are required for a tech run - which is not always - keep quiet, listen to the director and stage manager, move when told, speak when told, shut up when told and stop fucking around with the props because the quicker the techies get the lights and sound completed and ready, the faster we get to get into costume and makeup and get to the fun bit. Its all just common sense really. Sigh.
* and to look at their bio's in the programme, I know this is not so. They've all done a lot of theatre and should have known better.
** there are potential insurance liability issues here.
*** only I said it nicer. A bit.
Oh, and Fosse is not the director mentioned, he is acting in the play . . .
Email : DUDE. Do NOT even get me started. Woh, too late . . . at the tech run for (current play Tallulah is in), people actually thought they would be able to leave at FIVE o'clock because that's when they normally finish rehearsals on a Sunday. Members of the cast had made other plans. WTF??!! Apparently none of them have ever done any theatre before, ever. EVER.* And the director was all ready to let them leave (and please bear in mind that at this point, ONE rehearsal before we opened, I still hadn't done a full run-through of the play. There were still scenes that I hadn't done at all. We had Monday rehearsal left and that was it, audience in on Tuesday, thanks very much).
It was only the fact that one of the committee members was there and could hear Fosse and myself rolling our eyes in disbelief and clucking our tongues for all we were worth - and basically losing our shit - that he stepped in and overruled the director and said I'm sorry but you shouldn't have made plans on a day when you're doing a tech and dress rehearsal, you have to stay, cancel your plans (causing one of the girls to burst into tears and the others to bitch furiously in the dressing room at the director, the committee and us for having the temerity to want to do a FULL FREAKING RUN two days before we open, I mean can you believe the rudeness of wanting a full run, its crazy talk!!)
If we hadn't done that I'd have had one full run. One. I was freaking out that they were all going to leave and we'd have only half the cast for the dress rehearsal.
And the bitching, oy the bitching.
And the bint who came and talked to us who Fosse can't stand? - she threw a massive hissy fit because the company wouldn't organise a BABYSITTER for her. She wanted to bring her son to each performance and have someone look after him and the company said I don't freaking think so lady**. And she threatened to walk out. Gah.
The director was apparently thinking of getting her to play the character I'm doing and Fosse nearly died and I think it was at that point that he threw my name into the mix "she's not the right age but at least she can act . . . " And bint is another 'professional actor' and she's fucking useless on stage. Training RUINS some people. She's also the kind who constantly says "well, I've done professional theatre and I've never known a tech run to run so overtime" to which I responded "well, I've been doing amateur theatre for over ten years and this is what its like when people WHO DON'T DO IT FOR A LIVING AND ARE UNPAID VOLUNTEERS GIVING UP THEIR OWN LIVES TO PUT ON A SHOW muddle their way through things, and yeah, sometimes it takes a lot longer than you think it will, I've know tech runs to still be going at midnight princess.***"
End Email
So I say kudo's to Shaneequa for resisting the urge to smack people upside the head at her own recent tech/dress run. Tech runs are THE BEST!! 'Cause yeah its 'just' amateur theatre and people have lives outside their current production, but if you agree to take the part, then you agree to a certain amount of time waste-age. And seriously. No director I have ever known (and this includes you Shaneequa) has ever been able to stick to a timetable for a tech run - they're extremely complicated and frustrating things. So actors? When you are required for a tech run - which is not always - keep quiet, listen to the director and stage manager, move when told, speak when told, shut up when told and stop fucking around with the props because the quicker the techies get the lights and sound completed and ready, the faster we get to get into costume and makeup and get to the fun bit. Its all just common sense really. Sigh.
* and to look at their bio's in the programme, I know this is not so. They've all done a lot of theatre and should have known better.
** there are potential insurance liability issues here.
*** only I said it nicer. A bit.
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